With August Diehl, Richard Dillane, Vicky Krieps directed by Dan Friedkin. 'The Last Vermeer' (R, 1 hour, 58 minutes) Inspired by historical events, this intriguing yet erratic post-World War II melodrama concerns a Dutch artist (Guy Pearce), who is suspected of selling a priceless painting to the Nazis, and a Jewish attorney (Claes Bang) who defends him in court. With Jason Clarke, Alexandra Shipp, Katie Aselton, Jennifer Yun written and directed by Tiller Russell. 'Silk Road' (R, 1 hour, 52 minutes) A dark net crime drama (you'd think there would be more of these around) that focuses on the creator of a website that sells narcotics and a DEA agent who goes undercover to bring the operation to a halt. With Genesis Rodriguez, Vincent Piazza directed by Brendan Walsh. Claustrophobia ensues, but that's not their only problem. 'Centigrade' (not rated, 1 hour, 29 minutes) A failure to engage with the audience hampers this otherwise technically adept drama in which a husband and his pregnant wife are trapped in their car during a blizzard. With Charlotte Vega, Adain Bradley, Bill Sage directed by Mike P. 'Wrong Turn' ( R, 1 hour, 49 minutes) It's best not to wander too far from the path is a lesson learned in this weirdly intense horror thriller about friends hiking the Appalachian Trail, when their explorations lead them to an unpleasant encounter with a community of none-too-friendly people who have lived in the mountains for hundreds of years.

'Redemption Day' (R, 1 hour, 39 minutes) An American war hero (Gary Dourdan) races against the clock to rescue his kidnapped wife from terrorists in a formulaic and rather dull actioner from Moroccan producer (French TV's 'The Bureau') turned director Hicham Hajji. Animated with the voices of Catherine Keener, Cloris Leachman, Clark Duke, Emma Stone, Ryan Reynolds, Nicholas Cage, Leslie Mann directed by Joel Crawford.

'The Croods: A New Age' (PG, 1 hour, 35 minutes) This unexceptional but pleasant enough family comedy - the second in the Croods franchise - examines the antics of a prehistoric brood that discovers a safe, secure habitat that has everything they need, but it's already occupied by the Bettermans, who are much more advanced in terms of evolution. While the set is missing 1985's 'The Breakfast Club' - which might be Hughes' best film, if his best film isn't 'Planes, Trains & Automobiles' or 1983's 'National Lampoon's Vacation' (written by Hughes but directed by Harold Ramis) - it's a nice survey of Hughes' career as well as an '80s souvenir. Released to coincide with the 35th anniversary of the premiere of 'Pretty in Pink,' Paramount's 'The John Hughes 5-Movie Collection ' includes discs containing 'Pink,' 'Ferris Bueller's Day Off,' 'Planes, Trains and Automobiles,' (1987) as well as the Blu-ray debuts of 'She's Having a Baby' and 'Some Kind of Wonderful.' As is usual these days, it also has access to a digital copies of each film and quite a few extra features and commentaries. Obviously Hughes' work meant a lot to a lot of people - he hit the mark for a lot of people who were in high school with his best films, '16 Candles' (1984), 'The Breakfast Club' (1985) and 'Ferris Bueller's Day Off' (1986), which he wrote and directed, as well 'Pretty in Pink ' (1986) and 'Some Kind of Wonderful' (1987), which he wrote and produced and were directed by Howard Deutch. You could even argue that Hughes paved the way for the tough but true portraits of teens in Tim Hunter's 'River's Edge' (1986), Larry Clark's 'Kids' (1995) and Gus Van Sant's post-Columbine tone poem 'Elephant' (2003). John Hughes was arguably the most influential American director of the 1980s, not so much for his films but for their realistic young characters that teenagers might recognize as members of their tribe. ('Pretty in Pink' and 'She's Having a Baby' directed by Howard Deutch)

Some kind of wonderful movie online